I bring together design, video, and motion to craft things that feel cinematic and make people feel something.
Where creativity meets strategy, brands and creators find their most powerful expression.
Currently helping make the world's biggest podcasts even better.
Cinematic, emotionally-driven shorts that capture a conversation's soul in under 90 seconds. Built to stop the scroll and earn the click.
Graphics, titles, and visual systems that give shows a consistent, recognisable identity. Every element designed with intention and built to scale.
End-to-end creative leadership from concept to delivery. Shaping how stories look and feel across video, motion, and design.
Cinematic Trailer
Context
Approach
Impact
My Role
Global Creative Director
I grew up believing the first few seconds of something are everything. That instinct has driven eight years of work across Mumbai and the UK, at the intersection of design, video, and motion, where the story always comes before the cut.
My foundation was built at Publicis Groupe in Mumbai. Three years producing campaigns for Amazon India, L'Oreal Matrix, ZEE5, and Siemens. Tight deadlines, global clients, no room for average. That environment taught me to move fast without losing craft, and to make something feel considered even when the clock is running.
From there I moved into podcast storytelling, and found exactly where I wanted to be. Over the past four years I've created trailers for shows fronted by Oprah, MrBeast, Ava DuVernay, 2 Chainz, and more. Work viewed by millions, compressed into sixty seconds. The hardest edit, and the one I keep coming back to.
My process starts with restraint. Before I touch the timeline, I find the story. Once I have it, everything follows: the edit, the score, the colour, the pace. The goal is never to impress. It's to make something that feels inevitable.
Experience
2018 to 2021
Video Editor, Publicis Groupe, Mumbai
Crafted video ad content for Amazon India, L'Oreal Matrix, ZEE5, Siemens and more. Work that reached millions.
2021 to Present
Global Creative Director, Leeds UK
Specialised in podcast trailer production for some of the biggest names in the space. Cinematic, story-led work viewed by millions, for shows featuring Oprah, MrBeast, Ava DuVernay, 2 Chainz, and more.
Work For
David Begnaud
Codie Sanchez
Lewis Howes
Riley Brown
Jesse Chappus
Amazon India
L'Oreal Matrix
ZEE5
Siemens
Kind Words
"Individuals like Rahul, ones with subject matter expertise, are very rare to find. As our go-to person for all multimedia related matters, Rahul was pivotal in pushing out time-bound deliverables in a professional manner. His amiable behaviour makes him a person that everybody enjoys working with across the board."
"I highly recommend Rahul as an editor and would love to work together again. A wizard with editing at a very early age, it has been a treat to see him grow and develop as a creative professional. Dedicated to his craft, not shy of exploring unknown territories, and a great team-player. 10/10 would recommend."
"Rahul is an insightful, sensitive, and deeply self-aware artist driven to explore art. Without a doubt he is one of the most naturally talented and hardworking individuals I have had the opportunity to work with. He has a very methodical creative process, developing his concepts thoughtfully and committing himself to the work with confidence and dedication."
Brands & Creators I've Worked With
Wisdom is democratised now. Nothing is gatekept anymore. If you have a problem, you can build the solution. That's what I use AI for: not only to speed up workflows, but to do things I once only dreamed of doing.
Turns raw episode audio into a trailer built to be watched.
Moments ingests a full podcast episode and outputs a 90 second trailer, automatically. It identifies the most powerful, controversial, and emotionally charged moments in the conversation, then sequences them into a narrative built to hook, hold attention, and convert.
What sets it apart
Most tools stop at the transcript. Moments analyses the audio itself, tracking pitch, tonality, and pacing to detect real emotional shifts, the same signals a trained editor listens for, at a scale no editor can match.
The problem"Every trailer I've ever cut started the same way: hours of listening, waiting for the moment a guest's voice cracks, their pace quickens, or the room goes quiet. That instinct isn't something you can write into a prompt. Moments was built to put that instinct on demand."
FAQ
A transcript summary only sees words. Moments listens to the actual audio, pitch, tonality, and pacing, to find the moments that carry real emotional weight, not just the moments that sound important on paper.
Any standard podcast export works, WAV, MP3, or a video file with a clean audio track. If it plays back cleanly, Moments can process it.
A full episode typically returns a sequenced trailer cut in minutes, not hours. Processing time scales with episode length, not with how much editing judgement is required.
The output is a structured, ordered cut, not a finished master. Most of the editorial decisions are already made, so what's left is polish: pacing, sound, and graphics, not moment selection.
It's tuned for long-form conversational audio, podcasts, interviews, panels. Anything with a spoken narrative arc and genuine emotional variation is a good fit.
No. Audio is processed to generate your output and isn't retained or reused beyond that job.
Your content already has the chapters. Chapter Too finds them.
Chapter Too reads a full podcast transcript, detects natural chapter breaks, and writes and numbers each title automatically. It also generates the overlays: transparent MOV files ready to drop straight onto your timeline.
What sets it apart
No back and forth with an LLM, no staring at a blank title field. Chapter Too finds the structure that's already inside your content and turns it into export-ready chapter markers in one pass.
The problem"Titling chapters used to be the part of editing I dreaded most. Not because the ideas weren't there, they were always sitting in the transcript, but because pulling them out felt like a whole separate job on top of the edit. Chapter Too exists because the answer was already in the content. It just needed someone to read it properly."
FAQ
Chapter Too pulls titles from language already in the conversation, so they read like they were written by someone who actually listened to the episode, not a generic label guessed from keywords.
Yes. The generated titles and numbering are a starting point, not a final decision. Every title is editable before the overlays are rendered.
Overlays export as transparent MOV files, a format that drops directly onto a timeline in any standard NLE, no plugin or proprietary player required.
Yes. Chapter breaks are detected from shifts in topic and conversation structure, not from a single speaker's voice, so multi-guest formats work the same way.
A two hour episode typically returns numbered chapters and rendered overlays well within the time it would take to draft even one title by hand.
The overlay style is templated to stay clean and legible on any footage. Custom brand treatments are something I build case by case, get in touch if that's what you need.
Send over a sample episode and I'll walk you through what these tools can do for your workflow.
Fill in the form and I'll get back to you within 24 hours.